Kids bring zombie play to life
Children, adults collaborate on ideas for production
By NATALIE McCARTY, Contributing writer
Brain
Surgeon Theater in Bucktown presents "Zombie Project: The Sad World," a
collaborative creation of script and characters by kid and adult cast
members, culminating in a one hour rock 'n' roll manifestation of
politics and chaotic schemes at a mega mall.
Themes
of political scandal, non-nuclear families, journalistic integrity and
rebellion against capitalism explode with energetic song and dance in
this fun, fast-paced production designed for families of all ages.
"Throw
off the plastic shackles of your worldly needs and wants, burn your
MasterCards with us and shred your Gucci pants," from "Manifesto" and
"What about you sitting out in the crowd, wondering how all these
voices got loud, no one can do it behind a locked door, find someone
like you who wants to live more," from "Stars N' Sparkles (No More
Apathy)" are just a few, fun lines from the songs audiences can expect
to hear.
Unlike
typical children's theater, Brain Surgeon Theater brings kids and
professional actors together not only onstage but in the creative
process of forming the script and characters.
Lily Moore, a fifth grader at Franklin Fine Art Center, enjoyed creating her character, a disgruntled mall employee gone goth.
"This
is a fun way of expressing myself," Moore said. "We wrote this
ourselves and I really liked it-I like the idea of being a freaky goth
person because I really like scary stuff, and Gwen is a good writer,
she made it fun."
Gwen Tulin, director and Bucktown resident, said writing the script for "The Sad World" was a three-tiered project.
"We
came in with the theme of zombies and went from there," Tulin said. "We
basically sat around a huge sheet of paper as a big group and threw out
every idea anyone had ... and brainstormed what they might say. I would
take that material and later in the week have a meeting with the adult
actors in the cast, where we would further hone the ideas the whole
group had come up with."
After
brainstorming and discussing, Tulin would take the ideas that had
developed into more detailed plot lines and write the script.
Multiple
story lines intersect as Cynthia Blagojevich, fresh out of jail,
returns to Washington D.C., to coax her sister Constance, editor at the
local newspaper, and all its journalists, to help her win a political
seat and destroy the reputation of her competition, the self-important
Mitch Pickle. Meanwhile, peeved and wildly animated employees at the
local mall are not prepared for the anti-marketing and capitalist
actions taken against them by Pickle's kids.
The
14-member cast, eight kids and six adults, successfully portrays
characters of all ages. The mixing of child and adult characters into
intergenerational roles is all too hysterical as the anti-establishment
siblings, one a 13-year-old played by a 22-year-old, must fool a
300-year-old perfume counter manager, played by 7-year-old, Stella
Barrett.
"I
play a 300-year-old lady and I don't know how I do it, I just do it,"
Barrett said. Barrett's 10-year-old brother, Henry, plays a
knowledge-thirsty journalist for the Critical Eye newspaper.
"My dad is a journalist, so he's proud of me," said Barrett. "One day I want to be a journalist, or maybe a spy."
A
snotty, smart-mouth, teenage retail employee is played by Melanie
Renae, 23, who said Brain Surgeon Theater has given her the most unique
experience in children's theater.
"I've
worked with kids but not in the sense that it was for and about them in
terms of involvement," Renae said. "I've done children's theater before
but it was for and not with the kids, but for this, we worked with the
kids, it was a true collaboration."
Tulin said even the name of the play was thought up by the kids.
"During
a brainstorming session they said as a sort of an aside that they
imagined this being a "Sad World" (capitalization theirs), and it was
totally right, and everyone felt it," Tulin said.
Tulin,
a recent graduate of Brandeis University, came to Chicago from the East
Coast in February, after she took the position as artistic director at
Brain Surgeon Theater.
"I
had a feeling when I visited out here at the end of my senior year that
this was simply the most accessible place to come and do what you want
to do as an artist," Tulin said. "Also, it is way cheaper here-I like
being able to eat and having a living room more than three by five
feet."
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